Last year at Pop!Tech, Cary Fowler, Executive Director of the Global Crop Diversity Trust, spoke of the Svalbard Global Seed Vault in Norway. February 26 marks the official opening of the “Doomsday Vault,” as it has come to be called. It is intended to protect the Earth’s crop diversity against gradual or catastrophic losses. Sited deep inside a wild Arctic mountain in Norway, seeds from around the world will be mechanically cooled to -20 degrees, which will keep seeds alive for up to 19,000 years. To ensure that developing nations can participate in this important seed bank, The Global Crop Diversity Trust is providing funding so that a diversity of all crops will be secure forever – even in the event of an asteroid or nuclear disaster.

Link to a video about the Seed Vault on the National Geographic website.

To read about specific crop strategies, regional strategies, or to make a donation to this effort, visit http://www.croptrust.org.

Also, last week, the BBC World’s Earth Report aired a documentary about the vault. To read the transcript and watch the video, click here.

Entrance to Global Seed Vault- Credit Image Mari Tefre/Global Crop Diversity Trust

Peggy Shea Andrews

From a series entitled Running the Numbers: An American Self-Portrait, Chris Jordan looks closely at statistics of contemporary American culture. How closely? Have a look at his piece, Plastic Cups (2008), one million disposable plastic cups, the number used on airline flights in the United States every six hours. At first glance it looks like an intricate pattern of plumbing, or ant factory work, but look closely and you’ll see stacks and stacks of cups, weaving their way into an untraceable road leading us nowhere. Best seen live, these prints offer a glimpse into our real consumer culture, a sobering visual representation of the stats we usually only hear run down during a speech or campaign.

View the entire series of portraits here.

Watch his 2007 pop!cast here.

Peggy Shea Andrews

It’s another first for Dr. Craig Venter, the world’s leading human genome research biologist. Released in the January 24th issue of Science, a team of 17 researchers at his J. Craig Venter Institute (JCVI) has created the largest man-made DNA structure. By synthesizing the 582,970 base pair genome of a bacterium, Mycoplasma genitalium, JCVI has completed the second of three steps necessary to create the kinds of synthetic organisms that might one day recycle carbon using a modified photosynthesis process.

The third and final step will be for the JCVI team to create a living bacterial cell based entirely on this synthetically made genome. Speaking at Pop!Tech in 2006, Dr. Venter said this whole process would take two years, and the team seems well on their way. Whether genes move swiftly to become the design components of the future, as Venter suggests, or the field becomes logjammed by skeptics, he’s poised to be a leader for years to come.

You can read the press release here, and see pictures of the organism here.

Peggy Shea Andrews

At Pop!Tech 2007, five-time Grammy award-winner John Legend moved and motivated Pop!Tech participants, weaving stories from his Show Me Campaign—a movement he launched to help eradicate extreme global poverty—in between each soulful song.

Now in a February 2 release, John joins ranks with Will.i.am of the Black Eyed Peas and director Jesse Dylan (son of Bob) in their new celeb-studded music video in support of Barack Obama. The video is a musical performance of Senator Obama’s Yes We Can speech, his “concession” speech following Senator Clinton’s win in the New Hampshire Democratic Primary.

In spite of the fact that we live in controversial times, today’s North American music scene increasingly emphasizes music that’s materialistic, sexually charged or violent, over and above music that’s politically controversial. This moving example of musicians coming together and speaking directly to their audience in order to have a positive influence, is a reversal of that trend, and regardless of one’s politics, this reversal is important.

Check out the video, and read about the backstory here.

John also recently shot and released a music video in Tanzania for the Show Me Campaign to introduce his fans to critical global issues. Watch this story of a young boy overwhelmed by the weight of the world who is asking questions and searching for answers.

The character in the video is inspired by the real life story of two young boys, Yaguine Koita (aged 14) and Fodé Tounkara (aged 15), stowaways who froze to death flying from Guinea to Belgium, on 28 July 1999. The boys were carrying plastic bags with birth certificates, school report cards, photographs and a letter to the world asking for solidarity and kindness in providing relief to Africa. Check out their letter on John’s site under the “music video & explanation” tab here.

While talk of AIDS has become nothing but white noise for many, Zinhle Thabethe, a counselor working on the frontlines of the South African HIV epidemic, is taking action. Through home visits, working with AIDS orphans, educating nurses and doctors, and singing in the internationally acclaimed HIV-positive Sinikithemba Choir, Zinny’s goal is to fight stigma by raising awareness, and to ensure that people with HIV get plugged into treatment and stay on treatment – all in one of the most resource-constrained environments in the world.

Now, National Geographic is recognizing Zinny’s extraordinary contributions by naming her one of the 2008 class of Emerging Explorers – individuals who represent the next generation of world-changing talent from many different fields.

We continue to work with Zinny and her colleague, Dr. Krista Dong of iTeach, on Project Masiluleke, a Pop!Tech Accelerator project focused on using mobile devices to improve HIV care in South Africa and beyond. And we join in congratulating Zinny on her National Geographic nomination.

Bill Shannon brought the house down at Pop!Tech 2007, reminding us that anything is possible. Armed with a set of rocker bottom crutches, at times a skateboard, and two legs compromised by remnants of Legg-Calvé-Perthes disease, Shannon danced, jumped and glided effortlessly across the stage. Now, after many years of performing his distinctive style of dance, Shannon, aka the Crutchmaster, has begun systematically cataloging the components of his style.

In a new YouTube video, Shannon demonstrates various grips of the crutches, transitions used to move about, and describes the position of the body in relation to the floor. Shannon seems to defy physics, which is exactly the point.

Superficially his performance could be seen as eye candy, but Shannon’s practice goes much deeper with roots in performance art and his explorations of popular perceptions of disability. For more about this, check out his amazing online project “what is what” commissioned by Creative Time in 2003.

by Peggy Shea Andrews